Read: [next] [previous] messageTariff 22 summaryFrom: Jason Young <jyoung _-at-_ lexinformatica.org> This is a summary of Tariff 22 I drafted for a presentation. Use it as you will. There are three primary documents: 1) the tariff proposal from the Society of Composer, Authors and Music Publishers (SOCAN); 2) the Tariff 22 decision from the Copyright Board (two phases); and, 3) the appeal by SOCAN to the Fed. Ct. of Appeal, which is due any day (and has been for months). What is a Tariff? --------------- SOCAN proposes all kinds of tariffs to the Copyright Board for the performance or communication to the public of music. Other copyright collectives do the same for other rights. SOCAN's Tariff 1 is for music played on the radio, Tariff 2 is television, Tariff 3 is for cabarets, cocktail lounges, bars, etc. and so on. Tariff 22 is for music performed or communicated to the public via the Internet. SOCAN has been proposing this tariff for many years and continues to do so. A link to the latest proposal can be found at the bottom of this document. The Copyright Board's decision on Tariff 22 is in two parts, Phase I and Phase II. Phase I was handed down in October 1999, and determines which actions trigger liability under section 3(1)(f) of the Copyright Act and which do not. SOCAN didn't like this decision much and appealed. The Federal Court of Appeal granted leave to appeal in July, 2001, but has not yet handed down a decision. The Copyright Board has not yet handed down Phase II and likely will not before the decision from the Fed. Ct. of Appeal on Phase I. However, when it does, Phase II will address the policy issues raised by the proposal, including the most appropriate tariff structure. Within the discussion of that structure, issues will be debated pertaining to the most appropriate target and whether blanket licensing is the most appropriate form of licence in the relevant market. What does SOCAN want? ---------------------- SOCAN argued that a communication to the public occurs when the end user can access a musical work from a computer connected to a network. It also maintains that virtually everyone involved in the Internet transmission chain is liable for the communication, including those who provide transmission services, operate equipment or software used for transmissions, provide connectivity, provide hosting services or post content. SOCAN adds that no one is entitled to rely on the "common carrier" exemption in 2.4(1)(b) of the Copyright Act. What do some of the other stakeholders want? ----------------------------------------- Those who oppose Tariff 22 (Canadian Association of Internet Providers, Canadian Association of Broadcasters, etc.) contended that Internet transmissions involve a reproduction of data, not a communication by telecommunication and that such transmissions are not simultaneous and occur on an on-demand basis; therefore, they argue they are not communications to the public. They further argue that what is communicated is not a musical work but packets of compressed data which, in any event, do not represent a substantial part of the work. Finally, even if there are communications to the public of musical works over the Internet, liability should not be imposed on Internet Service Providers (ISP) or other entities acting as intermediaries, who are entitled to rely on the "common carrier" exemption. The Canadian Association of Broadcasters (CAB) took the position that even if Internet transmissions trigger copyright liability, its members should not bear it either because they do not provide a telecommunications service or because they are already licensed to undertake such communications. What does Tariff 22 say? ----------------------- Any communication of a work occurs because a person has taken all the required steps to make the work available for communication. The fact that this is achieved at the request of the recipient or through an agent neither adds to, nor detracts from the fact that the content provider (the poster) effects the communication. A person whose only act is to provide the means of communication, does not communicate that work to the public. Liability must be assessed as a function of the role the entity plays in that transmission, and not as a function of what it generally does over the Internet To occur in Canada, a communication must originate from a server located in Canada on which content has been posted. The place of origin of the request, the location of the person posting the content and the location of the original web site are irrelevant. As a result, the right to authorize must be obtained from the person administering the right in Canada only when the information is posted on a Canadian server, and the right to communicate must be obtained from that same person only when the transmission originates from a server located in Canada. On what grounds did SOCAN appeal? -------------------------------- SOCAN appealed the Phase I decision because it was unhappy with two issues: 1) the "common carrier" exemption; and, 2) the finding that "communications occur at the site of the server from which the work is transmitted, without regard to the origin of the request or the location of the original web site. The latter restricts the scope of the tariff to content residing in Canada and since most potentially infringing content is located outside Canada, this will cost SOCAN most of their anticipated royalties under the tariff. Other resources -------------- Tariff 22 proposal (SOCAN) http://www.cb-cda.gc.ca/tariffs/proposed/m12012002-b.pdf Tariff 22 Phase I decision (Copyright Board) http://www.cb-cda.gc.ca/decisions/m27101999-b.pdf Articles on the decision and appeal (Decima) http://www.decima.ca Decima's Canadian New Media has published several good pieces on the process as it's unfolded. I know Jeff Leiper is on this forum and perhaps he'll be kind enough to post some of them. In particular: "Landmark decision first in Canada to tackle copyright and Internet" Canadian New Media 2:16 (9 November 1999), online: Decima Publishing <http://www.decima.ca/publishing> (last modified: 9 November 1999). "Federal court considers wading into complex issue of copyright and the Internet" Canadian New Media 3:3 (20 April 2000), online: Decima Publishing <http://www.decima.ca/publishing> (last modified: 20 April 2000). -- Jason Young jyoung@lexinformatica.org 613.531.3442 -- For (un)subscription information, posting guidelines and links to other related sites please see http://www.flora.org/dmca/ Read: [next] [previous] message List: [newer] [older] articles You need to subscribe to post to this forum. |